PERFORMANCES:

  • Friday at Youth Day - 10:00 a.m. - FREE to all K-8 Children
  • Powwow:  Friday and Saturday at 9:30 pm
  • Sunday at 3:30 pm

Featuring the Seneca, Mohawk and Oneida Nations led by Valerie Parker of Basom, New York

Smoke Dancers Picture

Recently, the Smoke Dance has been introduced into the powwow circuit. This dance originated with the Haudenosauee, and has been used as a show dance, as it has a quick tempo and is quite exciting to watch. The Haudenosaunee have many social dances that are used strictly for social purposes, separate from ceremonial dances. As the Smoke Dance was initially exhibited at east coast powwows, it became more popular, and a separate category was created.

The dance regalia of the Smoke Dance had evolved much like the fancy shawl clothing; as the Smoke Dance clothing tends to be very flashy. The women wear a cloth dress or shirt, often times with a floral decoration. The women also wear a skirt, leggings and a matching cape or scarf. These items often include intricately designed beadwork patterns, that are contemporary or “old style”.  The raised beadwork style seems to be popular today as well.

The male Smoke Dancers wear a ribbon shirt, leggings, and breech cloth adorned with similar patterns and style beadwork as the women. The distinctive headdress represents the person’s nation. One eagle feather straight up, represents the Seneca people. As dancers of other nations dance the smoke dance, many use headdresses without feathers signifying nationhood.

Today, many powwows have included Smoke Dance as a category. The fast up-beat tempo of the drum and songs; along with the complex foot work and arm movements makes it for quite an exquisite show. Smoke Dance also has a diverse selection of songs to sing and dance to. Some songs specifically for the men to dance are called “war dance” songs, and are sung at a much slower beat, where the men rather do a slight hop, looking about and use a lot of movement with their arms. The faster paced songs involve some fancy foot work and arm movements. Like every other contest dance, you display your regalia and individuality as a dancer; as well as your ability to keep in beat with the drum, and stopping on time.

A special thanks to our sponsors!

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  • Capital Electric Cooperative, Inc.
  • Basin Electric Power Cooperative
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  • Bismarck-Mandan Convention & Visitors Bureau
  • Theodore Jamerson Elementary
  • United Tribes Technical College

Previous Years Cultural Groups:

2009: SOWETO STREET BEAT from Atlanta, GA, representing the Zulu Kingdom of South Africa
2008:  DAUGHTERS & SONS OF THE SUN – Mikkel Gaup and Daughters, representing the Sami of Norway
2007:  KAHURANGI MAORI Dance Theatre from New Zealand representing the Maori & Polynesian Cultures
2006:  WADUMBAH ABORGINIAL DANCE GROUP from the Noongar Nations of Western Australia
2005:  ATXAM TALIGISNIIKANGIS ATKA DANCERS from the Aleutian Islands in Atka, Alaska
2004:  WHITE MOUNTAIN APACHE CROWN DANCERS from McNary, Arizona
2003:  Back by Popular Demand: EXPLENDOR AZTECA (XIPETOTEC) AZTEC DANCERS from San Jose, CA
2002:  HALAU MELE HAWAIIAN DANCERS Dancers from Hawaii
2001:  EXPLENDOR AZTECA (XIPETOTEC) AZTEC DANCERS from San Jose, CA

 


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